Behold The 2014 Summer Classic Film Series!

It's that magical time of year, folks. Movie goers young and old look forward to the local tradition at Austin's classiest movie palace. It's time for the 2014 Summer Classic Film Series! Feast your eyeballs upon these gems from the cinematic treasure chest!

May:

5/22
Opening Night! (Paramount)
THE WIZARD OF OZ: Sat @ 7PM

5/22-29
Hollywood’s Golden Year: A 75th Anniversary Tribute to 1939
WUTHERING HEIGHTS (Paramount) Sat @ 4pm, Sun @ 4:35pm
THE WOMEN (Paramount) Sat @ 6:05pm, Sun @ 2pm
DESTRY RIDES AGAIN (Paramount) Tues @ 7pm, Wed @ 9:15pm
GOODBYE MR. CHIPS (Paramount) Tues @ 8:55pm, Wed @ 7pm
DARK VICTORY (Paramount) Thurs @ 7pm
OF MICE AND MEN (Paramount) Thurs @ 9:05pm

5/31-6/1
Sing Along!
THE SOUND OF MUSIC (Paramount) Sat @ 7pm, Sun @ 2pm, Sun @ 6pm Special Engagements - No Passes or Flix-tix

June:

6/3-4
The 1940s: The Great Depression - (Paramount100) 
THE GRAPES OF WRATH (Paramount) Tues @ 7pm, Wed @ 8:50pm
SULLIVAN'S TRAVELS (Paramount) Tues @ 9:30pm, Wed @ 7pm

6/7-8
Discoveries from the TCM Classic Film Festival
BACHELOR MOTHER (Paramount) Sat @ 4pm, Sun @ 3:50pm
THE GREAT GATSBY (Paramount) Sat @ 5:45pm, Sun @ 2pm

6/10-11
The 1940s: Getting to Know You - (Paramount100) 
THE SHOP AROUND THE CORNER (Paramount) Tues @ 7pm, Wed @ 9:20pm
ARSENIC AND OLD LACE (Paramount) Tues @ 9pm, Wed @ 7pm

6/12-13
Hughes and Candy
Two of the funniest Johns ever, working together.
UNCLE BUCK (Paramount) Thurs @ 7pm, Fri @ 9:45pm
PLANES, TRAINS, AND AUTOMOBILES (Paramount) Thurs @ 9pm, Fri @ 7pm

And working with the late Harold Ramis.
NATIONAL LAMPOON'S VACATION (Stateside) Thurs @ 7:15pm, Fri @ 9:25pm
STRIPES (Stateside) Thurs @ 9:15, Fri @ 7:15pm

6/14-15
Father's Day Weekend with James Bond
Connery, The original.
FROM RUSSIA WITH LOVE (Paramount) Sat @ 4pm, Sun @ 4:15pm
GOLDFINGER (Paramount) Sat @ 6:15pm, Sun @ 2pm

The Non-Connery
GOLDENEYE (Stateside) Sun @ 2:15pm
THE SPY WHO LOVED ME (Stateside) Sun @ 4:45pm

6/16-17
A Documentary Double Feature
SALESMAN (Stateside) Mon @ 7:15pm, Tues @ 9:05pm
THE TIMES OF HARVEY MILK (Stateside) Mon @ 9pm, Tues @ 7:15pm

6/18-19
Guys and Dolls and Annie and Jesus
SINGIN’ IN THE RAIN (Paramount) Wed @ 7pm, Thurs @ 9:50pm
GUYS AND DOLLS (Paramount) Wed @ 9:05pm, Thurs @ 7pm
JESUS CHRIST SUPERSTAR (Stateside) Wed @ 7:15pm, Thurs @ 9:45pm
ANNIE (Stateside) Wed @ 9:25pm, Thurs 7:15pm

6/22
An Offer You Can’t Refuse
THE GODFATHER (Stateside) Sun @ 3pm
THE GODFATHER PART II (Stateside) Sun @ 7pm

6/23-24
Orson Welles, Renaissance Man – (Paramount100)
The 1940s: Landmarks
CITIZEN KANE (Paramount) Mon @ 7pm, Tues @ 9:05pm
THE THIRD MAN (Paramount) Mon @ 9:20pm, Tues @ 7pm

Bonus Welles
MACBETH (Stateside) Mon @ 7:15pm, Tues @ 9:30pm
TOUCH OF EVIL (Stateside) Mon @ 9:25pm, Tues @ 7:15pm

6/25-26
Heroes of Old 
SUPERMAN (Paramount) Wed @ 7pm, Thurs @ 9:25pm
BATMAN (Paramount) Wed @ 9:45pm, Thurs @ 7pm

6/27-29
New York Socialites
ARTHUR (Stateside) Fri @ 7:15pm, Sat @ 6:30pm
THE LAST DAYS OF DISCO (Stateside) Fri @ 9:15pm, Sat @ 4:15pm
BREAKFAST AT TIFFANY'S (Paramount) Sun @ 2pm, Sun @ 6pm Special Engagement - No Passes or Flix-tix

6/30-7/1
The Staggering Ascent of John Travolta
He's a Dancin' Man And He Just Can't Lose
GREASE (Paramount) Mon @ 7pm, Tues @ 9:20pm
SATURDAY NIGHT FEVER (Paramount) Mon @ 9:10pm, Tues @ 7pm

Two by De Palma
BLOW OUT (Stateside) Mon @ 7:15pm, Tues @ 9:15pm
CARRIE (Stateside) Mon @ 9:25pm, Tues @ 7:15pm


July:

7/2-3
The 1940s: Yankee Pride
Celebrate Independence Day with tributes to two fine Americans.
THE PRIDE OF THE YANKEES (Paramount) Wed @ 7pm, Thurs @ 9:25pm
YANKEE DOODLE DANDY (Paramount) Wed @ 9:30pm, Thurs @ 7pm

The 1940s: Foreign Independence
Portraits of women torn between what society wants for them and what they want for themselves.
BLACK NARCISSUS (Stateside) Wed @ 7:15pm, Thurs @ 9:25pm
LATE SPRING (Stateside) Wed @ 9:15pm, Thurs @ 7:15pm

7/5-6
Irresistible Forces

The Evolution of Elizabeth Taylor
From cherubic child star to electric movie icon.
NATIONAL VELVET (Paramount) Sat @ 4pm, Sun @ 2pm
WHO’S AFRAID OF VIRGINIA WOOLF? (Paramount) Sat @ 6:30pm, Sun @ 4:30pm

Cabin Fever
Two pairs of women that should have never been roommates
WHAT EVER HAPPENED TO BABY JANE? (Stateside) Sat @ 4:15pm, Sun @ 4pm
PERSONA (Stateside) Sat @ 6:50pm, Sun @ 2:15pm

7/8-9
The 1940s: Eye Candy (Paramount100)
BEAUTY AND THE BEAST (LA BELLE ET LA BETE) (Paramount) Tues @ 7pm, Wed @ 9:35pm

THE RED SHOES (Paramount) Tues @ 9pm, Wed @ 7pm

7/10-13
World War I Film Series w/ Harry Ransom Center
Four WWI films to accompany the Ransom Center’s ongoing exhibition, The World at War, 1914-1918.
THE AFRICAN QUEEN (Paramount) Thurs @ 7pm
GALLIPOLI (Paramount) Thurs @ 9:05pm
THE BIG PARADE (Paramount) Fri @ 7pm
LAWRENCE OF ARABIA (Paramount) Sat @ 7pm, Sun @ 2pm, Sun @ 7pm

7/15-16
The 1940s: Remembering Montgomery Clift - (Paramount100)
Because Brando and Dean shouldn’t get all the credit for bringing moody sensitivity to the screen.
RED RIVER (Paramount) Tues @ 7pm, Wed @ 9:15pm
THE HEIRESS (Paramount) Tues @ 9:35pm, Wed @ 7pm

7/17-22
The New Frontier of the Sixties
This is what the Wild West looked like 50 years ago.

The Movies with Big Names
THE MAGNIFICENT SEVEN (Stateside) Thurs @ 7:15pm, Fri @ 9:40pm
THE MISFITS (Stateside) Thurs @ 9:45pm, Fri @ 7:15pm

The Man with No Name
Sergio Leone’s famous Dollars Trilogy led Clint Eastwood to international stardom.
A FISTFUL OF DOLLARS (Paramount) Fri @ 7pm
FOR A FEW DOLLARS MORE (Paramount) Fri @ 9pm
THE GOOD, THE BAD, AND THE UGLY (Stateside) Mon @ 7:15pm, Tues @ 7:15pm

7/20
An Evening with Robert Osborne
Film TBA.  Sun @ 7pm Special Engagement, No Passes or Flix-Tix

7/21-22
The 1940s: Noir-ish – (Paramount100)
MILDRED PIERCE (Paramount) Mon @ 7pm, Tues @ 8:35pm
CAT PEOPLE (Paramount) Mon @ 9:15pm, Tues @ 7pm

7/23-24
Barbra!
Streisand exercises all of her multi-talents in these two cultural touchstones.
THE WAY WE WERE (Paramount) Wed @ 7pm, Thurs @ 9:55pm
FUNNY GIRL (Paramount) Wed @ 9:15pm, Thurs @ 7pm

7/25
Iron and Wine Presents:
Hosted by Sam Beam (Iron and Wine) – Free small popcorn!
GEORGE WASHINGTON (Paramount) Fri @ 7pm

7/27-8/1
1989: 25 Years Later

Daddy Issues
Dads will stay awake for these two movies, no matter how cushy the recliner.
PARENTHOOD (Paramount) Sun @ 2pm, Mon @ 9:10pm
FIELD OF DREAMS (Paramount) Sun @ 4:25pm, Mon @ 7pm

No Budget? No Problem
When small films started to make big splashes.
DO THE RIGHT THING (Paramount) Tues @ 7pm, Wed @ 8:50pm
ROGER AND ME (Paramount) Tues @ 9:20pm, Wed @ 7pm

Just for Kicks
Because Marty’s future shoes and Swayze’s karate feet are only the tips of these outrageous icebergs.
BACK TO THE FUTURE PART II (Paramount) Thurs @ 7pm,  Fri @ 9:15pm
ROAD HOUSE (Paramount) Thurs @ 9:10pm, Fri @ 7pm



7/31-8/1
Two Thumbs Up: Ebert’s Picks – Thurs-Fri, July 31-Aug 1
CRUMB (Stateside) Thurs @ 7:15pm, Fri @ 9:15pm
DARK CITY (Stateside) Thurs @ 9:35pm, Fri @ 7:15pm

August:

8/2-3
The 1940s: Rounding Up the Usual Suspects – (Paramount100)
CASABLANCA (Paramount) Sat @ 7pm, Sun @ 4:15pm
THE PHILADELPHIA STORY (Paramount) Sat @ 9pm, Sun @ 2pm

8/6-7
The 1950s: A Lifetime of Bumpy Nights – (Paramount100)
ALL ABOUT EVE (Paramount) Wed @ 7pm, Thurs @ 9:20pm
THE BAD AND THE BEAUTIFUL (Paramount) Wed @ 9:40pm, Thurs @ 7pm

8/9-10
A Weekend with The Little Tramp
Two of Charlie Chaplin’s most beloved comedies.
THE GREAT DICTATOR (Paramount) Sat @ 2pm, Sat @ 6:05pm, Sun @ 3:45pm
MODERN TIMES (Paramount) Sat @ 4:25pm, Sun @ 2pm, Sun @ 6:05pm

8/12-13
The 1950s: Brando – (Paramount100)
When it comes to screen acting, there’s really just pre-Brando and post-Brando.
A STREETCAR NAMED DESIRE (Paramount) Tues @ 7pm, Wed @ 9:10pm
ON THE WATERFRONT (Paramount) Tues @ 9:25pm, Wed @ 7pm

8/12-17
Hitchcock Week
We’re playing the hits, and a few of the B-sides, too.
REBECCA (Stateside) Tues @ 7:15pm, Wed @ 9:15pm
NOTORIOUS (Stateside) Tues @ 9:45pm, Wed @ 7:15pm
PSYCHO (Paramount) Thurs @ 7pm, Fri @ 9:30pm
VERTIGO (Paramount) Thurs @ 9:10pm, Fri @ 7pm
ROPE (Stateside) Thurs @ 7:15pm,  Fri @ 9:15pm
THE TROUBLE WITH HARRY (Stateside) Thurs @ 8:55pm,  Fri @ 7:15pm
NORTH BY NORTHWEST (Paramount) Sat @ 2pm, Sat @ 6:50pm, Sun @ 4:20pm
THE BIRDS (Paramount) Sat @ 4:35pm, Sun @ 2pm, Sun @ 6:50pm
FRENZY (Stateside) Sat @ 2:15pm, Sun @ 4:35pm
FAMILY PLOT (Stateside) Sat @ 4:30pm, Sun @ 2:15pm

8/18-24
The 1950s: From Every Angle – (Paramount100)

Sci-Fi Classics
Bizarre happenings in small-town America and the distant beyond.
INVASION OF THE BODY SNATCHERS (Stateside) Tues @ 7:15pm, Wed @ 9:15pm
FORBIDDEN PLANET (Stateside) Tues @ 8:55pm, Wed @ 7:15pm

Tales from Japan
Two poignant stories of ordinary people searching for meaning and happiness.
TOKYO STORY (Paramount) Wed @ 7pm, Thurs @ 9:35pm
IKIRU (Paramount) Wed @ 9:30pm, Thurs @ 7pm

Portraits of Stoicism
Two men with violent pasts struggle to lead peaceful lives in an angry world.
HIGH NOON (Stateside) Thurs @ 7:15pm, Fri @ 9:55pm
THE QUIET MAN (Stateside) Thurs @ 9pm, Fri @ 7:15pm

Fights and Flirtations
These couples get off on the wrong foot, but anyone can see they’re falling in love.
BELL, BOOK AND CANDLE (Paramount) Sat @ 4pm, Sun @ 4:15pm
AN AMERICAN IN PARIS (Paramount) Sat @ 6pm, Sun @ 2pm

8/26-31
70MM Week!!
Because the big screen deserves BIG films.
IT’S A MAD, MAD, MAD, MAD WORLD (Paramount) Tues @ 7pm, Wed @ 7pm
SPARTACUS (Paramount) Thurs @ 7pm, Fri @ 7pm
INDIANA JONES AND THE LAST CRUSADE (Paramount) Sat @ 4:30pm, Sat @ 7:15pm, Sun @ 2pm


September:

9/3-4
The 1950s: Programmer’s Picks – (Paramount100)
ALL THAT HEAVEN ALLOWS (Paramount) Wed @ 7pm, Thurs @ 8:50pm
THE NIGHT OF THE HUNTER (Paramount) Wed @ 8:50pm, Thurs @ 7pm

9/6-7
The 1950s: An Epic Finale!! – (Paramount100)
GIANT (Paramount) Sat @ 7pm, Sun @ 2pm, Sun @ 6pm


Get on board with Film Fan passes and see what benefits you get by clicking here. Whether you do one favorite or if you try o do them all, there's always something special waiting for you when the lights go down in the confines of The Paramount or Stateside theaters.

The 2013 Summer Film Classics Series

For movie fans, this is the most wonderful time of the yar. Escape the blazing Texas sun and travel on your own little vacation, two hours at a time. Paramount screenings are 35mm presentations, and Stateside presentations are digital exhibitions. Without further ado, feast your eyes on these...

May:

5/23
Happy Beginnings (Paramount)
CASABLANCA Thurs @ 7PM
ANNIE HALL Thurs @ 9:10PM

5/24
An Evening with Leonard Maltin (Paramount) 
LADY FOR A DAY Fri @ 7:30PM - Special Engagement, No Passes/Flix-Tix

5/25-26
Memorial Day Weekend Marathon
Coop and Bogie Go to War (Paramount)
SERGEANT YORK Sat @ 2PM, 6:30PM; Sun @ 4PM
SAHARA Sat @4:35PM; Sun @ 2PM & @ 6:30PM

Prisoners at War (Stateside)
THE BRIDGE ON THE RIVER KWAI Sat @ 2:15PM
THE DIRTY DOZEN Sat @ 5:20PM

5/28-31
Celebrating the 90th Anniversary of Warner Bros. Pictures 
Dirty Rats & Grande Dames (Paramount)
ANGELS WITH DIRTY FACES Tues @ 7PM; Weds @ 9PM
 I AM A FUGITIVE FROM A CHAIN GANG Tues @ 9PM; Weds @ 7PM
NINOTCHKA Fri @ 9:05PM
JEZEBEL Fri @ 7PM

Warner Bros.- Seven Arts (Stateside)
BONNIE AND CLYDE Wed @ 10PM
THE WILD BUNCH Wed @ 7:15PM
COOL HAND LUKE Thurs @ 7:15PM; Fri @ 9:30PM
BULLITT Thurs @ 9:45PM; Fri @ 7:15PM

June:

6/2
Paramount Kids Opening Day
Every weekend this summer, Paramount will offer family discounts for classic films that will get your kids excited to learn about the storied history of the movies.
THE ADVENTURES OF ROBIN HOOD Sun @ 2PM & 6:20PM
LOONEY TUNES!!! Sun @ 4:05PM

6/4-5
TV Movies 
Get excited for ATX Fest by flipping over to these classic films about the TV industry. ATX Fest badge holders get free admission to any of these "TV Movies" with their badge.
"Reality" TV (Paramount)
TOOTSIE Tues @ 7PM; Wed @ 9:10PM
THE TRUMAN SHOW Tues @ 9:10PM; Wed @ 7PM

This Just In (Stateside)
NETWORK Tues @ 7:15PM; Wed @ 9:10PM
GOOD NIGHT, AND GOOD LUCK Tues @ 9:40PM; Wed @ 7:15PM

6/6-9
Musicals! (Paramount) 
42ND STREET Thurs @ 7PM; Fri @ 9PM
GOLD DIGGERS OF 1933 Thurs @ 8:50PM; Fri @ 7PM
THE GAY DIVORCEE Sat @ 1PM; Sun @ 5:15PM
SINGIN' IN THE RAIN Sat @ 3:10PM; Sun @ 7:20PM
THE SOUND OF MUSIC Sat @ 7PM; Sun @ 2PM

6/11-12
Film Noir 101
DOUBLE INDEMNITY (Paramount) Tues @ 7PM; Wed @ 9PM
OUT OF THE PAST (Paramount) Tues @ 9:10PM; Wed 7PM
THE MALTESE FALCON (Stateside) Tues @ 7:15PM; Wed @ 9:30PM
SUNSET BOULEVARD (Stateside) Tues @ 9:20PM; Wed @ 7:15PM

6/13-16
East/West 
HIGH AND LOW (Paramount) Thurs @ 7PM; Fri @ 8:50PM
RASHOMON (Paramount) Thurs @ 9:45PM; Fri @ 7PM
STAGECOACH (Stateside) Thurs @ 7:15PM, Fri @ 9:10PM
3:10 TO YUMA (Stateside) Thurs @ 9:15PM; Fri @ 7:15PM
SHANE (Paramount) Sat @ 2PM & @ 6:40PM; Sun @ 4:25PM
THE SEARCHERS (Paramount) Sat @ 4:20PM; Sun @ 2PM & @ 6:45PM
MONSOON WEDDING (Stateside) Sun @ 4:15PM
IN THE MOOD FOR LOVE (Stateside) Sun @ 2PM & @ 6:25PM

6/17-18
Daniel Day-Lewis: Then and Now
MY LEFT FOOT (Paramount) Mon @ 7PM; Tues @ 9PM
MY BEAUTIFUL LAUNDRETTE (Paramount) Mon @ 9:05PM; Tues @ 7PM
THERE WILL BE BLOOD (Stateside) Mon @ 7:15PM; Tues @ 9:40PM
IN THE NAME OF THE FATHER (Stateside) Mon @ 10:05PM; Tues @ 7:15PM

6/19-23
Frank Capra: Cinema's Great Optimist
YOU CAN'T TAKE IT WITH YOU Wed @ 7PM; Thurs @ 9:15PM
MR. DEEDS GOES TO TOWN Wed @ 9:30PM; Thurs @ 7PM
IT HAPPENED ONE NIGHT Sat @ 2PM @ 6:40PM; Sun @ 4:35PM
MR. SMITH GOES TO WASHINGTON Sat @ 4:10PM; Sun @ 2PM; @ 6:40PM

6/25-28
Newman + Redford (Paramount)
HUD Tues @ 7PM; Wed @ 9:25PM
SLAP SHOT Tues @ 9:15PM; Wed @ 7PM
DOWNHILL RACER Thurs @ 7PM; Fri @ 9:40PM
ALL THE PRESIDENT'S MEN Thurs @ 9:05PM; Fri @ 7PM

6/29-30
Charlie Chaplin: One Talented Tramp
CITY LIGHTS (Paramount) Sun @ 2PM & @ 6PM
THE GOLD RUSH (Paramount) Sun @ 3:55PM
MONSIEUR VERDOUX (Stateside) Sat @ 2:15PM; Sun @ 5PM
CHAPLIN (Stateside) Sat @ 4:40PM; Sun @ 2:15PM

July:

7/2-3
Film Noir 101
Philip Marlowe, Private Eye (Paramount)
THE BIG SLEEP Tues @ 7PM; Wed @ 9:15PM
THE LONG GOODBYE Tues @ 9:20PM; Wed @ 7PM

Noir Loves the 80's (Stateside)
BLOOD SIMPLE Tues @ 7:15PM; Wed @ 9:30PM
BODY HEAT Tues @ 9:15PM; Wed @ 7:15PM

7/9-14
Film Studies
Meet Your Professors (Paramount) Office hours have never been this zany.
HORSE FEATHERS Tues @ 7PM; Wed @ 9:15PM
BALL OF FIRE Tues @ 8:30PM; Wed @ 7PM

Civics (Stateside)
12 ANGRY MEN Tues @ 7:15PM; Wed @ 9:15PM
HUNGER Tues @ 9:10PM; Wed @ 7:15PM

Studying Abroad (Paramount)
BICYCLE THIEVES Thurs @ 7PM; Fri @ 9:30PM
WINGS OF DESIRE Thurs @ 8:55PM; Fri @ 7PM

Playing Hooky (Stateside)
THE 400 BLOWS Thurs @ 7:15PM; Fri @ 9:40PM
FISH TANK Thurs @ 9:15PM; Fri @ 7:15PM

Guest Lecturer: Audrey Hepburn (Paramount)
BREAKFAST AT TIFFANY'S Sat @ 7PM; Sun @ 2PM & @ 6:30PM
ROMAN HOLIDAY Sat @ 9:15PM; Sun @ 4:15PM

Music Lessons (Stateside)
THE MUSIC MAN Sat @ 2:15PM & @ 7:50PM; Sun @ 5PM
GYPSY Sat @ 5:10PM; Sun @ 2:15PM & @ 7:50PM

Swingin' Britons of the 1960's (Paramount)
CASINO ROYALE Tues @ 7PM; Wed @ 9:10PM
WHAT'S NEW PUSSYCAT Tues @ 9:30PM; Wed @ 7PM
THE IPCRESS FILE Thurs @ 7PM; Fri @ 8:55PM
PULP Thurs @ 9:10PM; Fri @ 7PM
THE PINK PANTHER Sat @ 2PM & @ 6:25PM; Sun @ 4:05PM
A SHOT IN THE DARK Sat @ 4:25PM; Sun @ 2PM & @ 6:25PM

7/23-24
Naughty, Bawdy 1933 (Paramount) 
DINNER AT EIGHT Tues @ 7PM; Wed @ 8:55PM
DESIGN FOR LIVING Tues @ 8:55PM; Wed @ 7PM

7/26
Iron and Wine Presents: (Paramount) 
Hosted by Sam Beam (Iron and Wine) - Free small popcorn!
A WOMAN UNDER THE INFLUENCE Fri @ 7:30PM

7/28
The Marx Brothers: Anarchists' Delight (Paramount)
A NIGHT AT THE OPERA Sun @ 2PM &@ 5:25PM
DUCK SOUP Sun @ 4PM

7/28
Horror and Fantasy in the 1930's (Stateside) 
KING KONG Sun @ 3:50PM
THE INVISIBLE MAN Sun @ 2:15PM & @ 5:45PM

7/29-8/1
Hitchcock Week
SABOTAGE (Paramount) Mon @ 7PM; Tues @ 9:10PM
TO CATCH A THIEF (Paramount) Mon @ 8:40PM; Tues @ 7PM
THE MAN WHO KNEW TOO MUCH (Stateside) Mon @ 7:15PM; Tues @ 9:15PM
THE LADY VANISHES (Stateside) Mon @ 8:50PM; Tues @ 7:15PM
REAR WINDOW (Paramount) Wed @ 7PM; Thurs @ 9:05PM
DIAL M FOR MURDER (Paramount) Wed @ 9:15PM; Thurs @ 7PM
SHADOW OF A DOUBT (Stateside) Wed @ 7:15PM; Thurs @ 9:25PM
PSYCHO (Stateside) Wed @ 9:25PM; Thurs @ 7:15PM

August:

8/4
Father Figures (Paramount)
BACK TO THE FUTURE Sun @ 2PM & @ 6:45PM
THE KARATE KID Sun @ 4:20PM

8/6-18
World Cinema Classics
8 1/2 (Paramount) Tues @ 7PM; Wed @ 9:10PM
NIGHTS AT CABIRIA (Paramount) Tues @ 9:40PM; Wed @ 7PM
LE PETIT SOLDAT (Paramount) Thurs @ 7PM; Fri @ 9:15PM
MAX AND THE JUNKMEN (Paramount) Thurs @ 8:50PM; Fri @ 7PM
THE RED BALLOON/WHITE MANE (Paramount) Sat @2PM; Sun @ 4:05PM
THE NEVERENDING STORY (Paramount) Sat @ 3:55PM; Sun @ 2PM
PORTRAIT OF JASON (Paramount) Sat @ 6PM; Sun @ 6PM
AMARCORD (Stateside) Sat @ 2:15PM & @ 6:05PM; Sun @ 4:05PM
UMBERTO D (Stateside) Sat @4:20PM; Sun @ 2:15PM & @ 6:05PM
THE DISCREET CHARM OF THE BOURGEOISIE (Paramount) Mon @ 7PM; Tues @ 9:05PM THAT OBSCURE OBJECT OF DESIRE (Paramount) Mon @ 9:05PM; Tues @ 7PM
LE DOULOS (Paramount) Wed @ 7PM; Thurs @ 9PM
UN FLIC (Paramount) Wed @ 9:10PM; Thurs @ 7PM
SPIRIT OF THE BEEHIVE (Paramount) Sat @ 2PM; Sun @ 4:20PM
PAN'S LABYRINTH (Paramount) Sat @ 3:55PM; Sun @ 2PM & @ 6:10PM
THE ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT (Paramount) Sat @ 7PM *Austin PRIDE Special Event*
THE SEVENTH SEAL (Stateside) Sat @ 2:15PM & @ 6:05PM; Sun @ 4:10PM
WILD STRAWBERRIES (Stateside) Sat @ 4:15PM; Sun @ 2:15PM & @ 6:05PM

8/20-21
Film Noir 101
Dark Films for Dark Times (Paramount)
CHINATOWN Tues @ 7PM; Wed @ 9PM
SWEET SMELL OF SUCCESS Tues @ 9:30PM; Wed @ 7PM

Noir Now (Stateside)
L.A. CONFIDENTIAL Tues @ 7:15PM; Wed @ 9:15PM
FARGO Tues @ 9:55PM; Wed @ 7:15PM

8/22-25
Texas Tribune Presents (Paramount)
ACE IN THE HOLE Thurs @ 7PM; Fri @ 9:15PM
THE PAPER Thurs @ 9:15PM; Fri @ 7PM
HIS GIRL FRIDAY Sat @ 2PM & @ 6:05PM; Sun @ 4:15PM
WOMAN OF THE YEAR Sat @ 3:55PM; Sun @ 2PM & @ 6:05PM

8/27-9/1
70mm Classics (Paramount)
2001: A SPACE ODYSSEY Tues @ 7pm; Wed @ 7PM
WEST SIDE STORY Thurs @ 7PM; Fri @ 7PM
LAWRENCE OF ARABIA Sat @7PM; Sun @ 2PM & @ 7PM

September:

9/3-4
The Life and Times of Woody Allen (Paramount)
THE PURPLE ROSE OF CAIRO Tues @ 7PM; Wed @ 8:45PM
RADIO DAYS Tues @ 8:45PM; Wed @ 7PM

9/5
The Grande Finale (Paramount)
GONE WITH THE WIND Thurs @ 7PM


Get on board with Film Fan passes and see what benefits you get by clicking here. Whether you do one favorite or if you try o do them all, there's always something special waiting for you when the lights go down in the confines of The Paramount or Stateside theaters.

Halloween Film Fest 2012

Boo! Did I scare ya?

No? Well, what could I tell you that will truly scare you? The problem is that most things people fear are actually quite subjective. For instance, what if I said that Romney is going to win the election? You see, that's only scary to a select audience. A whole other faction would be just as scared if I stated the prospect of Obama winning a second term. See what I mean? Very few things can be universally fearful or dreadful, unless we're speculating on the current state of society. You know what I find scary? The prevalence and popularity of such things like: Honey Boo Boo, Real Housewives of any place, the songwriting of Taylor Swift, Liam Neeson action movies and tacos with Doritos shells. Oh, and Tim Curry as a clown. But I digress...

Horror movies on the other hand... is another thing entirely. Large audience can be lured in and terrified by scary movies. While I admit that some horror films are empty and boring gore fests, there's still something universal in how these visceral movies effect us. There's always a market for horror movies, as evidenced by the umpteenth PARANORMAL ACTIVITY that just came out.

Yet for every dozen lame scary movies, there is likely one genuine horror gem. Luckily for us, The Paramount and Stateside theatres are presenting some modern classics of the genre. These are some of the best of the best, and there's something for everyone: thrills, chills and spills of blood.

The fun starts in a unique way on Friday with...

THE BRAIN THAT WOULDN'T DIE
This (ahem!) cult classic is being presented by Austin's ColdTowne Theater, an improv group who is presenting this film as a "Flip The Script" presentation. During the film's screening they will replace the music and dialogue with their own improvisation, and I'm willing to bet that this 1962 horror classic will probably not be this entertaining ever again.

Oh, and by comparison, other films released in 1962 were TO KILL A MOCKINGBIRD, THE MANCHURIAN CANDIDATE and a little film you may have heard of called LAWRENCE OF ARABIA. Yeah, this movie is not of that caliber.

Saturday and Sunday, The Paramount presents a double feature of THE EXORCIST and THE LOST BOYS. Do I even need to explain THE EXORCIST?? If you don't know, it's... ummm... intense.


THE LOST BOYS is actually a very cool take on the vampire genre, and the film celebrates its 25th anniversary this year. Released in 1987, this was back when vampires actually fed on blood and scared people. Now, there's just glittery mopes that inexplicably fall in love with Kristen Stewart. Also, Kiefer Sutherland was a bad ass waaay before Jack Bauer.


Saturday and Sunday at The Stateside, there is another double feature of TRICK 'R TREAT and BUFFY THE VAMPIRE SLAYER.

A 2007 anthology film, TRICK 'R TREAT gained life at a few festival screenings, but really gained acclaim after being released as a direct-to-DVD title. Comprised of four stories and featuring a cast of Anna Paquin, Dylan Baker and Brain Cox, the film is a devilishly fun tribute to everyone's favorite fall holiday.


The other half of the double feature, BUFFY THE VAMPIRE SLAYER is the cinematic precursor to the cult TV show that younger audiences are likely more familiar with. While the cast is different, the mythos is the same, as is the same tongue-in-cheek storytelling from screenwriter/creator Joss Whedon.


Mark your calendar for Monday, because it's Special Event time!
Who's down for a pub run in celebration of the undead? Zombie shuffles are so yesteryear after the advent of films like 28 DAYS LATER, the DAWN OF THE DEAD remake and television's "The Walking Dead," so if you're a zombie-clad attendee you can put the "run" back into "pub run."

On Monday, partake of running, drinking and screaming in delight at Cuba's horror comedy JUAN OF THE DEAD. Here, Fidel Castro's not the only Cuban that just won't die.


On Tuesday and Wednesday, the double features resume. At The Paramount, two of my all-time favorites return to the big screen. POLTERGEIST and ALIEN.

Oh, POLTERGEIST. The story of dangerous specters in the midst of a normal American household traumatized me as a little kid. After thrilling my imagination, Steven Spielberg (and Tobe Hooper, of course... wink wink) filled the tank of my mind with nightmare fuel. Now, as I've touched the boundaries of parenthood myself, the film's sense of terror has only intensified. In many ways, it's a gift of fear that keeps on giving. And what rough beast, it's hour come round at last, slouches itself back into my terrified heart once more to be reborn?


But wait! It gets better. The second part of the double feature is Ridley Scott's masterpiece, if you ask me. ALIEN was basically a space-plotation terror film that somehow transcended in haunting and primal ways that no one could've ever imagined. It's the film that launched a few sequels of descending quality and a recent prequel that has brought a level of reception that we hadn't seen since STAR WARS: EPISODE I. So what better way to wash the bitter aftertaste of PROMETHEUS out of your mind than by revisiting the original (and arguably the best of what Scott had to offer)?


Meanwhile, at The Stateside...
The last of the double features conclude with THE OMEN and THE FLY. One is the original, the other is the remake, but both are the vastly superior versions out there.

Richard Donner's THE OMEN is the tale of a powerful family whose son may well be the Anti-Christ. Derided by some as trashy and others as terrifying, it nevertheless gets under your skin with its graphic depictions of death and mayhem.


Young Damien the Anti-Christ appeared in a couple of sequels and Donner went on to direct SUPERMAN, LADYHAWKE, THE GOONIES and the LETHAL WEAPON franchise. Can you say, "deal with the devil?"

The other half of this twin bill is another favorite moment of Kindertrauma from my youth. David Cronenberg's 1986 version of THE FLY is an entirely different creature than the 1958 cult classic. Jeff Goldblum appears here as a scientist whose experiments with teleportation go horribly, horribly wrong. This movie shocked audiences with its graphic content and bombastic score, and kick started a new phase of Jeff Goldblum's career as "that scientist guy." Yet JURASSIC PARK and INDEPENDENCE DAY were nothing like this. You may want to keep the popcorn in your lap for this one. Now that I can watch it with a stronger stomach (and eyes that aren't tightly welded shut), it stands as a true classic that touches on our own fears about technology, disease and loneliness. Like a telepod that goes awry, the film fuses the DNA of terror and humanity that has rarely been seen before.


So there you have it, folks. Ten films to terrorize and thrill the most discerning tastes and the hardest of horror movie connoisseurs. It doesn't matter how subjective your sense of fear is, these movies are gonna scare the hell out of you.

Enjoy it while it lasts, because come next month we can turn our phobias back to society's ills, like the fallout from the Presidential election or yet another season of "American Idol." Me? I'll be fine until next spring when I consider something else genuinely scary: the Houston Astros' chances in the AL West. It's sure to be a bloodbath for the Texas baseball team...

AHHHHHH!!!




Halloween Film Fest

THE BRAIN THAT WOULDN'T DIE
The Stateside
Friday at 8:00 pm

THE EXORCIST
The Paramount
Saturday 7:00 pm

THE LOST BOYS
The Paramount
Saturday 9:30 pm

TRICK 'R TREAT
The Stateside
Saturday 5:55 pm
Sunday 4:00 and 7:40 pm

BUFFY THE VAMPIRE SLAYER
The Stateside
Saturday 4:00 and 7:35 pm
Sunday 5:50 pm

JUAN OF THE DEAD
The Paramount
Monday
Pub Run at 6:00
Movie at 7:30 pm

POLTERGEIST
The Paramount
Tuesday 7:00 pm
Wednesday 9:25 pm

ALIEN
The Paramount
Tuesday 9:30 pm
Wednesday 7:00 pm

THE OMEN
The Stateside
Tuesday 7:15 pm
Wednesday 9:20 pm

THE FLY
The Stateside
Tuesday 9:35 pm
Wednesday 7:15 pm

Robert Rodriguez's EL MARIACHI

"Low budgets force you to be more creative. Sometimes, with too much money, time and equipment, you can over-think. My way, you can use your gut instinct."

-Robert Rodriguez 

For those who may not know, movie making can be a very tedious process. Some of your favorite movies had languished in development for years and underwent numerous revisions before finally meeting your eyeballs at the theater. Why the heck does it take so long? Filmmaking is a collaborative process, and sometimes many many people have to work together to get it made. Don't believe me? Next time you're at the movies, stick around and watch the end credits. Every one of those people had some input in the movie you had just watched. And what does it all mean? Every aspect of making the film cost mucho dinero. And while a film is often the direct vision of the director, pretty much everything has to be approved by committee to get money for it to happen.

Yet every now and then. Someone bucks the system. Unique voices in cinema make the medium diverse and enjoyable, but true mavericks in filmmaking are few and far between. One such nonconformist is Texas's own cinematic cowboy: Robert Rodriguez.

20 years ago, Rodriguez was an outsider with no inside connection to the industry. Yet, he still established his own mark like the searing brand on cowhide. Now, how exactly did he do this? Did he knock on every door in Hollywood and pitch his screenplays, hoping someone (or anyone) would take a chance on him? Did he earn his stripes by starting as a production assistant and fetching coffee for years? Did he take minor commercial jobs and work his way up to directing features? The answer, of course, is a resounding heck no. Rodriguez just up and made his own movie, EL MARIACHI, on his terms.

But wait. I know you're thinking, "You just said movies cost a ton of money to make!" That's still true. But instead of going to a studio to raise millions of dollars for his project, Robert funded his own movie... and made it for $7000. That's right. For the price of a dozen modern-day iPads, he made his own movie. That, amigos, is budget control at its very best. Rodriguez was creative, frugal and dynamic in his vision. As a result, Columbia distributed  and it launched a Hollywood filmography that have seen a significant budget increase over seven grand: FROM DUSK TIL DAWN, SPY KIDS, THE FACULTY, SIN CITY and PLANT TERROR, among others.

In the years to come, Rodriguez continued the story of EL MARIACHI with DESPERADO (1995) and ONCE UPON A TIME IN MEXICO (2003). As the trilogy grew in scope, so did the talent involved. A cast of unknowns expanded to include Antonio Banderas, Salma Hayek, Steve Buscemi, Joaquim de Almeida, Cheech Marin, Danny Trejo, Willem DaFoe, Mickey Rourke and Johnny Depp.

And to think, it all started in 1992 with EL MARIACHI. In this story, a young unnamed Mariachi is mistaken for a vengeful ex-con and hunted by a ruthless drug lord and his men. A mere drifter equipped only with his guitar, he gets pulled into this deadly game and fight for his survival. An action movie with elements of a Western (Call it a "Southwestern," if you will), it showcased Rodriguez as a force behind the camera. Not that his role was limited only to director, producer and screenwriter. He had a hand in nearly every aspect of production: sound, visual effects, cinematography, editing, and music. Think of him as a Swiss army knife of cinema with the blunt force of a machete.

And so now, two decades later, we celebrate this first endeavor from Robert Rodriguez. The Paramount will host the event, sponsored by AMD, The Austin Film Society and EL Rey Network. On Thursday, Rodriguez himself will be on hand to present a 35mm screening of EL MARIACHI. Afterward the screening and a Q&A, stick around for live musical performances by Robert's band Chingón. They will play music used in Rodriguez's films as scenes are projected on the silver screen behind them on stage. It's a great way to commemorate a landmark film by an enduring Texan talent.

Not many have the cajones to shoot from the hip, but Rodriguez is a true visionary whose range of talents and skills are the result of one very simple fact. Like a Mariachi, he plays by ear... but he also plays by his own rules.

EL MARIACHI plays Thursday, August 30th at 7:30 p.m. It's gonna be killer.

What's This? The Winter Comedy FIlm Series!

I don't know about you guys, but January's always been one of those "meh" months. What starts as a hangover (literally) sloshes into a malaise of returning Christmas gifts, dealing with holiday bills, beginning to worry about a looming tax season and contending with the cold and wet weather. Heck, if you're one of the lucky ones, you may even have to battle with a cold or... the flu. I say lucky because you then have an excuse to stay bedridden and sleep some of the month away. And when I finally make the time to buy a clearance-priced 2012 calendar, I always make sure it's about 30 days in, just so I can flip right past the first month.

Yes, I can get right ornery this time of year.

But wait... what's this I see?

My, my, my. Isn't this a pleasant surprise?

The Paramount Theatre is hosting a Comedy Film Series during the last week of January, and all of a sudden things look to be a little better. It's a little something to help lift us out of the doldrums, and will be very much appreciated. Comedic hijinks will flow due to the likes of Will Ferrell, Eddie Murphy, Woody Allen and Richard Pryor. There's something for everyone, as long as you're ready to get your laugh on.

The fun begins with a Will Ferrell double feature, who has come one heck of a long way from Night at the Roxbury (as an aside, remember when people thought Chris Kattan was going to be the successful one of that duo?). He's catapulted into one of the more prolific comedic actors working today. His unique brand of "everyman idiocy" combined with a boyish charm is evident in all of his performances, no matter how big or small his role is.

Everyone has their favorite Will Ferrell role, but I''m willing to bet that most can agree that his most iconic may well be the title role in 2004's film Anchorman: The Legend of Ron Burgandy. He was "like a god walking amongst mere mortals. He had a voice that could make a wolverine purr and suits so fine they made Sinatra look like a hobo." With a solid comedic cast including Christina Applegate, Fred Willard, Paul Rudd, David Koechner and Steve Carrell (and some truly great surprise cameos), it has over the years grown in stature as one the most quotable comedies in the past decade.

Step Brothers has Ferrell reunite with his Talledega Nights co-star John C. Reilly in this unlikely buddy movie. Farrell and Reilly star as two 40-something men who refuse to grow up. But when their single parents (Richard Jenkins and Mary Steenburgen) get married to each other, the two are forced to confront the fact they now each have a new step brother. And needless to say that, for these spoiled men, the news does not go over well.

Is Will a tad too silly for you? Is your sense of humor more of a sharp sword than a blunt hammer? Than surely you can appreciate the next double feature by legendary film director Woody Allen. I know some people have taken issue with the celebrity, but regardless what you think of the guy... it's never a bad thing to take in some of Allen's brand of humor. If all you know of Woody Allen is Annie Hall or this year's Midnight in Paris, this wouldn't be a bad place to start.

Bananas is a crazy story about Fielding Mellish (Allen), a neurotic average Joe who gets embroiled in a comic series of events to become the leader of a small Latin American country. Sure it sounds nutty, and when the plot involves Allen becoming the leader of a banana republic, you have to expect a bit of the Marx influence. No, I don't mean Karl. I'm thinking more of Groucho, Harpo, and Chico. Yep, it's that level of zaniness.

Love and Death is Allen's spin on Tolstoy and Dostoyevsky. Full of literary references and foreign film allusions, Allen also peppers the film with a self-aware attitude that is funny but never pretentious. In fact, although a historical comedy, Allen uses a clever awareness of anachronisms to make it a classic movie of absurdity.

Progressing from these early Woody Allen films of the 1970s, The Paramount shifts into the following decades with a double feature of modern classics. One is a genuine mega-hit blockbuster and the other is a cult classic.

In the comedic world, the undisputed champ of the 1980s was Eddie Murphy. His leap from standup to Saturday Night Live was but a precursor to a dominance at the theatrical box office. Ask around, and you may get differing views on which Murphy movie is a personal favorite, but from a purely financial point-of-view, none was bigger than Beverly Hills Cop. Although originally envisioned as a vehicle for Sylvester Stallone (?!?), it's hard to imagine anyone else in the role of Axel Foley, a Detroit cop who ventures to Beverly Hills to solve a friend's murder. Part action movie, part comedy, part fish-out-of-water story, it most importantly acts as a showcase for the charm of Eddie Murphy.

Fan fact about Beverly Hills Cop: It remained the highest grossest R-rated comedy of all time for 25 years. Years later, it still stands as a comedy classic. I don't mind if you forget about the sequels. In fact, I pretend the third one doesn't exist at all. Oh, and in case you were wondering, the movie that unseated this as the number one R-rated comedy was The Hangover in 2009. Coincidently, that also has a sequel I pretend doesn't exist.

Now from a box office giant to a movie that took time to find it's audience...

Office Space made a very minor splash when it was originally released in theaters in 1999. I guess more people were interested in seeing Austin Powers: The Spy Who Shagged Me, and that's a shame. Fortunately, as more people discovered it on home video, it become a cult classic. The depictions of frustrations in a work environment are pitch perfect, and it's satirical views has the light touch of genius that can only be found in creator Mike Judge ("Beavis and Butthead," "King of the Hill," Idiocracy). You know, they say you laugh at comedy either because it's funny or because it's true. Alas, if you've ever had an office job... this is one of those situations where both apply.

The trailer looks silly, but don't jump to conclusions... it's gold. I've never looked at fax machines the same ever since. Not to mention, I've also developed an affinity for red Swingline staplers.

The Winter Comedy Film Series winds down with a look at one of the true masters of the genre. Richard Pryor was a trailblazer in the realm of standup comedy, and is revered by nearly every comedian working today. Pryor often had a profane tone, but possessed a vulnerability that is unmatched to this day. There was often a palpable sense of sadness in his performances, and he often danced on the line of comedy and drama.

The double feature is of his standup film Live at the Sunset Strip, often considered the finest standup comedy film ever made. The second is a more personal story, and the only film Pryor directed himself. Jo Jo Dancer: Your Life is Calling is a semi-autobiographical tale about a comedian who has overcome long odds to experience success... as well as self-destruction.

Take in the double feature and see why so many hold Richard Pryor in such high esteem. Heck, when a man's this good, I can forgive him for the likes of Superman III.

Man, is it going to be a good week. It's just what the doctor ordered for those who are (like yours truly) suffering through this first month of the year. Heck, I may go buy a calendar earlier this year just so I can circle the dates. Then I can look at the red circled dates and bring to mind two things that can lift us from being down in the dump: Comedies and The Paramount Theatre? YAY!!

Showtimes for the films:

Anchorman: The Legend of Ron Burgandy
Sunday, Jan 22nd
2:00
6:00
Monday, Jan 23rd
9:10

Step Brothers
Sunday, Jan 22nd
4:00
Monday, Jan 23rd
7:00

Bananas
Tuesday, Jan 24th
7:00
Wednesday, Jan 25th
8:55

Love and Death
Tuesday, Jan 24th

8:55
Wednesday, Jan 25th
7:00

Office Space
Thursday, Jan 26th
7:00

Beverly Hills Cop
Thursday, Jan 26th
9:00
Sunday, Jan 29th

2:00

Richard Pryor: Live at the Sunset Strip
Friday, Jan 27th
7:00
Sunday, Jan 28th
6:05

Jo Jo Dancer: Your Life Is Calling
Friday, Jan 27th
8:55
Sunday, Jan 28th
4:05

Bastrop Fire Relief Screening of BERNIE

If you live in the Texas, I need not remind you that the past few weeks have yielded a literal inferno of emotions.

For those of you who aren't local and may not be aware, wildfires ravaged Central Texas the past couple of weeks, some of which are still ablaze days later. Firefighters were stretched to the limits as fires rapidly spread across the area, and thousands of people have been displaced. Ongoing coverage of the events can be found here.

Suffering the worst of the damage was the community of Bastrop, Texas. The wildfires have devastated the town, consuming over 1500 homes. It's been a terrible ordeal for everyone in the area, and everyone seems to know at least one person who was directly effected. It's a true natural diaster, and the sheer magnitude of the fire can be glimpsed in this terrifying photo.

While our courageous firefighters diligently continue to battle the blaze, efforts are underway to help relieve those displaced by the wildfire. The whole community is doing all they can with donations and fundraisers, and now one of Austin's favorite cinematic sons is doing his part as well.

Director Richard Linklater is an Austin icon who personifies independent film in a way few film makers can. His films all have a distinct charm, and are a departure from the normal Hollywood products that flood the multiplexes. Best known for Slacker, Dazed & Confused and Before Sunrise, he also created two unique (and somewhat trippy) animated features in Waking Life and A Scanner Darkly.

Linklater likes to keep things local when it comes to his brand of cinema, and for his newest project, Bernie, he filmed it predominately in the greater Austin area: Georgetown, Austin, Lockhart and Bastrop. Although the film itself is not yet scheduled for release, Linklater is taking the opportunity to give back and screen an advance sneak preview to help benefit the town hit so hard by the destruction.

As for the film itself being screened...

Bernie sounds like fun in a morbid sort of way, yet thankfully does not involve these guys:

No Andrew McCarthy, Jonathan Silverman or Terry Kiser, thank you very much.

So what is Bernie, anyway?

Based on a true story, it's a comedic take on a small town mortician (Jack Black) who befriends a rich widow (Shirley MacLaine). After he kills her for the money, he goes through great lengths to indicate that she's alive. No one is the wiser, that is, until a local district attorney (Matthew McConaughey) begins to investigate.

It's kind of a Linklater all-star matchup, as McConaughey and Black both have had some of their more memorable (and quotable) roles in Richard's films. Matthew was at his hazy best in Dazed and Confused, while Jack Black's performance in School of Rock, well... rocks.

So the thought of these two in a bizarre game of cat and mouse has a weird appeal that I feel has to be seen to be believed.

The laughs will be welcomed during these final hot throes of summer, and most importantly the screening is for a number of great causes. 100% of the proceeds will benefit the following organizations: Friends of the Lost Pines State Parks, Bastrop County Emergency Food Pantry, and the Heart of the Pines Volunteer Fire Department.

The gesture to Bastrop is more of that Texas spirit to help one another, and Linklater himself explains:
"Since the film has been finished for a few months and isn't coming out until next year, we had scheduled a cast and crew screening for the 18th of September. After the catastrophic fires of the last week, we quickly jumped on the idea of opening it up to the public as an opportunity for Austinites and members of our artistic community to help our neighbors in Bastrop that have been so devastated. It seems like an appropriate movie for the cause - not only was it filmed largely in the Bastrop area, but it's a PG-13 comedy about small town Texas life. It's the least we can do for this wonderful community that opened its doors to us during production. It feels great that because of the generosity of the Paramount Theater, 100% of all ticket sales and donations with pass through to these important local non-profits that are doing so much to restore and maintain their community."

Oh, and one last thing. Linklater and Jack Black themselves will be in attendance. It promises to be a fun event for a great cause. A little laughter can go a long way, and what better way to help your neighbor than this screening for their benefit?

Now this, my friends, is a Bernie I could spend a weekend with.

Showtime for the Benefit Screening:

Bernie
Sunday, Sept 18th
4:00

Sponsorship packages are available through the Austin Film Society that include 6 tickets and a pre-show reception with the cast and crew.

Preview: The Grand Finale

And so we've come to the end of the road.

Boyz II Men allusions aside, it's a happy and somber moment for fans of the Summer Classic Film Series. Sad because it this film marks the finale of another summer of classic film. Yet, it is a cause of celebration because it sees the return of Gone with The Wind. Arguably the most famous movie of all time, this gloriously epic motion picture returns to The Paramount to end the summer with a bang (and Atlanta ablaze).

Do I really need to describe this film? Even if you've never seen it, you know what it's about. The story of Scarlett O'Hara (Vivien Leigh) and her journey before and after The Civil War. Her loves, her home, her life and her pride take hits over the period, and monumental decisions present cascade upon her.

Adjusting for inflation, Gone with The Wind remains still the highest grossest film of all time. And to think, it accomplished this without Celine Dion soundtracks or wookiees. Or most importantly, without 3-D gimmicks to hike the ticket price. Yeah. Suck it, Avatar.

As long time readers may know, this film is my white whale. It remains the biggest title on my personal list of "classic movies I've should have seen already." Last year's attempt to see it was a tragic comedy of errors. This year, nothing shy of flash floods will keep me from the theatre to see it. And judging by the temperatures this summer, that isn't bloddy likely.

So here ya go, folks. Another season of classic films is almost in the can. Some 80 films have been screened this summer. No matter how many you made it to, I'm sure it was a whole new experience seeing these long-time favorites on the big screen. But no ne to cry, in nine short months we get to do it again.

Or maybe even sooner, depending on what surprises The Paramount Theatre might have in store for us throughout the next several months...

Whatever lies in store, you can bet I'll be there and covering it whenever I can. Why? Because when it comes to The Paramount... frankly my dear, I do give a damn.

Showtimes for the film:

Gone with The Wind
Saturday, Sept 3rd
6:30

Sunday, Sept 4th
2:00 7:00

Final Note about the screening

Parking:
"Hassle-free downtown parking available for $6 at the One American Center for all summer films! Since you’re also supporting the theatre when you buy parking, they're giving you a free small soda each time you park there for a film. Buy online with your film tix and print out your confirmation e-mail or buy directly from the garage attendant (cash only). Attendant will have your soda ticket as well."

Review: Day of The Bat

It was a scorcher that Saturday afternoon, but not even the triple-digit heat could keep the Bat Fans away. The masses huddled to The Paramount Theatre to celebrate Austin's Day of The Bat, and to view the camp classic Batman (1966).

But while the fans were eager to get inside the theatre and cool off, there was one irresistible draw outside in the blazing sun. A diabolical plan to make us oooh and aaaah, and melt, perhaps? Behold, it was The Batmobile! Everyone was crowded around it, and I mean everyone. There it was, parked in the middle of Congress Avenue, which had been blocked off between 7th and 8th Street. Why the barricade, you ask? Alas, The Bat-Copter was actually due to make an appearance that day, but had to cancel due to Hurricane Irene. Bah! Curse that storm!

Before long, my inner thermometer told me to get indoors. As I entered the building and my eyes adjusted to the absence of sunlight, I found people were excitedly milling about and glancing at the booths, tables, and refreshment bars. There was merchandise galore inside the lobby. Comic book vendors were there offering toys, models, t-shirts, and comics. At a table of Paramount swag, I saw a limited edition poster print made for the day's screening, and it was beautiful. Oh, and how about this for a purrrfect touch? A costumed Batman was making the rounds and posing for photos. Even the bar was getting in on the action by offering a special drink, a "bat-tini." Holy cocktail buzz, it was tasty!

Upstairs was a private event where Gold and Platinum Film Fans had a personal meet-and-greet with the original caped crusader, Mr. Adam West himself. Last year, I got so caught up in the festivities that I missed my chance to meet West. Well, riddle me this! Who wasn't going to miss meeting Batman again this year? That's right. Yours truly.

I made my way up the stairs with a mix of excitement and heat exhaustion. Was I delirious? Was I really about to meet Gotham's hero? As I got in line, I was transported back to memories of taking pictures of Santa Claus as a child. Good Lord, don't let Adam jokingly ask me what I want for Christmas; I'd probably crack up into maniacal giggles like The Joker. I felt crazy from the heat already, the last thing I need is an episode that will get me a one-way ticket to the nut house (or Arkham Asylum).

Finally I calmed down and approached Adam West, cool as a cucumber. We greeted, talked for a moment, and then posed for Annie Ray to take our picture. At the last second, I photobombed my own picture and flashed my best batusi at the camera. Although needlessly silly, we all had a chuckle at that.

"Oh, nice one," West told me as I shook hands goodbye and made way for someone else. Although he's likely been subjected to that pose a billion times before, it was still nice of him to say that to me.

Making my way into the auditorium, I relaxed as showtime approached. The buzz in the auditorium, however, was feverish. By the time our hosts came out on stage, the crowd was ready to explode. Film programmer Jesse Trussell came out first to thank everyone for the turnout, and when he introduced Adam West the audience went bat**** crazy for the pop culture icon. West quipped and played the masses like a seasoned veteran. Charming, self-effacing, and endlessly funny, he shared stories and then fielded questions from the auditorium.

Some of the questions inquired about his thoughts on the recent Christopher Nolan movies (oh, and he confirmed that he is NOT going to cameo in nest year's The Dark Knight Rises). He expressed great admiration for those "expensive films," but reiterated that his take on the Caped Crusader was from a much different time. In contrast to the current Dark Knight, Adam finished by proclaiming himself as Gotham's Bright Knight.

And with that, he exited the stage, the light dimmed, and everyone got to partake in some 1960s campy goodness. That afternoon, all of us were children again. It was too warm for Santa Claus to show up, but we still had something to cherish. That afternoon, we all believed... in Batman.

Even if we didn't get a visit from Mr. Freeze that day, it was still one Bat-tastic time.

Preview: The Texas Epic

Texas. It's one of the few states that immediately conjures an instant vision. Off hand, the only others that come to mind are New York with its metropolitan landscape and California with it's laid back lifestyle. Alas, thanks to the portrayals of the past, Texas' image is still of ten-gallon hats and cattle herds. They say everything's bigger in the Lone Star state, and I guess that also applies to generalizations about us. To this day, it amuses me when I travel out of state and people ask if we all live on ranches and all wear cowboy hats. I can't vouch for you, but surely don't.

Alas, film portrayals don't help the cause. And although Giant is likely a seminal movie that others use to profile Texas, it's still a truly great film. All in all, I shouldn't really complain. If given a choice between stereotypes, I'd much rather take a moment to counter a portrayal of our citizens as oil ranchers than as a clan of chainsaw wielding killers.

Last year, after years of resistance, I saw Giant for the first time during last summer's Classic Film Series. It was an eye-opening experience, to be sure (one can read about it here). I watched it again earlier this summer during a road trip to Marfa, TX. There we watched the movie at the Hotel Paisano, where cast and crew stayed when the film was being made. Inside, there was a veritable shrine to Giant, and it was amazing to look upon the abundance of props and memorabilia.

That evening, the movie was shown outdoors on a large inflatable screen under a moonless sky. While it was beautiful to behold under the stars and literally in the shadow of the historic hotel, the experience just didn't hold a candle to my first experience at The Paramount. Maybe it was the wind bellowing the screen, maybe it was the passing trains or murmuring crowds during the film. Either way, I knew to appreciate it best I would have to return home.

And so Giant returns again this summer to The Paramount, and I couldn't be happier.

Released in 1956, Giant was directed by George Stevens and stars Rock Hudson, Elizabeth Taylor and James Dean. A multi-generational tale about a cattleman (Hudson) and his East Coast bride's (Taylor) rivalry against a local ranch hand (Dean) and against society itself, the film is an epic on a Texas-sized scale.

On the surface, Giant has no reason to be this good. Based on a best-selling novel by Edna Ferber, it easily could've been translated into a melodramatic soap opera of sorts. In fact, while watching this movie one can clearly see situations that were to be echoed in the overwrought TV series, "Dallas" that was to come two decades later.

What helps this film transcend is the awe-inspiring scope that Stevens took to the material. Although undeniably Texan, it is at its heart an American story, a look at a family and the shifting of social and personal beliefs through the generations.

I can't say enough about the performance here, either. Rock Hudson is great as Bick Benedict, the patriarch and central figure of the story. James Dean is Jett Rink, a rags to riches to decay character who steals nearly every scene he appears in. Tragically, Dean died in a car accident just one week after filming concluded. His role in Giant remains an example of Dean at his finest, and sadly hints at the incredible career he could have had. However, perhaps the most stellar performance belongs to the late Elizabeth Taylor in the movie. As Leslie, Benedict's wife, she represents the heart of the story. Smart, compassionate and strong, Taylor is sublime with an understated power that reaches across generations. She's the catalyst for change, and is tough enough to survive Texas customs and then dig in her own spurs to break a historically conservative culture.

I continue about the majestic excellence of Giant, but after one viewing you would likely be inclined to agree. The superlatives can rattle on and on and on to fill Texas itself. Even in a summer of amazing film classics, it stands tall among like an oil derrick on the landscape. Appropriately, it's cinematic gold. Or should I say... "black gold. Texas tea."

Showtimes for the film:

Giant
Thursday, Sept 1st
7:30

The Sept 1st screening is also the 2011 Summer Classic FIlm Series CLOSING PARTY.
Film Fans receive FREE admission, drinks, popcorn & a special gift!

Friday, Set 2nd

7:30

Saturday, Sept 3rd

2:00

Final Note about the screening

Parking:
"Hassle-free downtown parking available for $6 at the One American Center for all summer films! Since you’re also supporting the theatre when you buy parking, they're giving you a free small soda each time you park there for a film. Buy online with your film tix and print out your confirmation e-mail or buy directly from the garage attendant (cash only). Attendant will have your soda ticket as well."

Preview: Lemmon and Wilder

"I'm terribly fond of Jack. We understand each other very well and it's a pleasure to work with him. He is a thinking actor, but not an argumentative one. By that way I mean if we start shooting at nine o'clock, he would be there at 8:15 and would come to my office and say, "Hey, I've got a great idea! Look, why don't we do this? Blah, blah, blah, blah." And I just look at him, and he says, 'I don't like it either.' And he walks out."

-Billy Wilder on Jack Lemmon

We are in the home stretch, folks. Summer is coming to a close, school has started again and temperatures are dropping back down to a mere 100 degrees or so. Okay, so the heat hasn't really abated yet, but that's okay. The Summer Series is now in its last week, and they're not letting up either. And what better way to refresh oneself during these tepid days than something light. How about some high caliber comedies, courtesy of the great Billy Wilder and each with a twist of Lemmon. Jack Lemmon, that is.

Over his career, Bily Wilder had a diverse career from charming comedies (Sabrina) to darker fare (Sunset Boulevard) to dramas (Double Indemnity, The Lost Weekend, Stalag 17). Yet, Wilder's bread and butter was that signature charm of his witty comedies, and Jack Lemmon was a frequent collaborator.

Some Like It Hot was the first film that they worked on together, and fifty years later it is widely considered one of the best comedies of all time. Jack and Tony Curtis are two guys on the run from the Mob, and travel disguised as women. Things get interesting when the fellas travel with a female band and become enamored with the vocalist in the process. Oh, did I mention she's played by Marilyn Monroe? So categorize that infatuation under "duh."

While I recognize that some do like it hot, we've been suffering through over 70 days of 100 degree temperature this summer. Insult my manhood if you want, but some of us like it air-conditioned.

From an awards standpoint, The Apartment stands as Bill Wilder's most lauded film. The winner of Best Picture of 1960, it stars Jack Lemmon along with Shirley MacLaine and Fred MacMurray. Lemmon plays C.C. Baxter, an insurance agent who is another faceless drone at his company. But he possesses a key to success that is questionable ethically and morally. He lends out his apartment to executives to take their mistresses for their liaisons. Wait a second. 1960? New York City? Affairs at big corporate businesses? Don Draper would be so proud.

Alas, Baxter finds that this method of climbing the corporate ladder is not without its own dangers.

The film is a showcase for both director and star. Wilder flaunts his brand of dark humor, and Lemmon embodies that role of an everyman that he often does to perfection.

During his career, Billy Wilder earned over 20 Academy Award nominations, with eight of those nods for Best Director. Although Jack Lemmon never won Oscars for these collaborations with Wilder, he went on to become the first man to win both a Supporting Actor Award (Mister Roberts in 1956) and Best Actor Award (Save The Tiger in 1973) in the course of a career.

Thinking back, it's hard to believe both of these men have been gone for nearly ten years now. Lemmon passed in 2001 and Wilder in 2002. Then again, the term "gone" is hardly accurate. The sense of joy that they left behind on film is eternal, and feels fresh no matter how many times you revisit these movies. It's a rare gift that we are able to laugh at ourselves in the bleak times. And that, dear friends, is what Billy Wilder and Jack Lemmon have left for us: the ability to smile in the face of adversity, and then laugh heartily at the circumstances of life itself.

Since I am likely to laugh so hard in an air-conditioned theater that I still get flushed and feel warm tears streaming out of my eyes, then I have to admit I was wrong. In that regard, I guess I do like it hot, after all.

Showtimes for the films:

Some Like It Hot
Monday, Aug 29th
9:30
Tuesday, Aug 30th
7:00

The Apartment
Monday, Aug 29th
7:00
Sunday, Aug 30th
9:45

Final Notes about the screening:

Some Like It Hot (Some Don't) Fan Drive Benefitting Family Eldercare

"Some Like It Hot” but some don’t, especially in their “Apartment” or homes. With Central TX’s unrelenting 100+ degree days this summer, the challenge to relieve low-income seniors, adults with disabilities and families with children from life-threatening heat is especially critical. That’s why the Paramount is hosting a fan drive benefitting Family Eldercare in conjunction with their summer film series screenings of Some Like It Hot & The Apartment. Drop off a new fan to the Paramount theatre the day of these screenings and receive a free film pass.*

*One film pass per donation, may be used for screenings at the time of donation or for any other regularly scheduled Paramount film accepting film passes through printed expiration date on film pass.

Double Features:
"When two movies are grouped together under the same thematic heading, one ticket is good for both features when viewed back-to-back on the same day." (cha-ching!)

Parking:
"Hassle-free downtown parking available for $6 at the One American Center for all summer films! Since you’re also supporting the theatre when you buy parking, they're giving you a free small soda each time you park there for a film. Buy online with your film tix and print out your confirmation e-mail or buy directly from the garage attendant (cash only). Attendant will have your soda ticket as well."

Preview: Night of the Bat with Adam West!

Holy encore, Batman!

Last summer, The Paramount Theatre played a big part in the City of Austin's Night of The Bat celebration. There was a screening of Batman, based on the iconic (if incredibly campy) 1960s television series. It was a treat to see such cheese on the big screen, but the real treat was an appearance by Batman himself: Mr. Adam West. The Q & A was a delight, and it was great to hear personal anecdotes from Gotham's "Light Knight."

Well, get ready. This weekend the batarang comes through Austin yet again. The Night of the Bat is celebrated with another screening of the 1966 classic Batman, once again with Adam West in attendance.

I must confess that I am a big Batman fan. Although I've never been a comic book guy, I did read some of the key graphic novels during my formative years. Then, of course, I was swallowed by the 1989 Bat-hype (like the rest of America). Around that time, I also rediscovered the '60s television series in syndication. And no matter how silly one may think the campy old TV show is, you can't deny the charm that exudes from Adam West's portrayals of Batman and Bruce Wayne. He still ranks high when compared to his more serious counterparts over the decades.

I mean, seriously? Val Kilmer?? Who thought that was a good idea?

POW!

I know we're now very familiar with a more serious tone of the Caped Crusader, so one may wonder: what's the 1966 Batman movie like in comparison? Well... it isn't The Dark Knight. It's basically an extended episode of the television show, with slightly bigger sets and more expensive production values. The dynamic duo of Batman (West) and Robin (Burt Ward) get to show off some new wonderful toys, including a sleek Bat-Boat and bubble-like Bat-Copter. And they'll need it against a rogue's gallery of villains that band together like a Pro Bowl team. Well, now that I think about it, I'm thinking Gotham City's not in too much danger with this motley crew of clowns villains.

That's Cesar Romero as The Joker, Burgess Meredith as The Penguin, Frank Gorshin as The Riddler, and Lee Meriwether as Catwoman (meee-ow!). Together they're not playing for keeps or to hurt anyone (also like a Pro Bowl team). Yet that doesn't stop them from chomping on the scenery. There's no menace like Bane to break Batman's back, but you might crack a rib laughing at how ridiculous the action is. Heck, Batman even battles a shark in this movie. You read that, right. A shark. Yeah, I know. Just go with it, roll with the punches, and you'll be fine.

Oh, but don't take my word for it. Below is the original trailer of the film, and like the costumed hosts of a karaoke night, Batman and Robin talk you through the preview of their big screen adventure.

BAM!

Be sure and save some laughs for the Q&A, because Adam West's stories and wit are sure to keep you entertained. Even at age 82, he still knows how to play to an audience.

Hey, and there's a bonus also if you happen to be a Platinum or Gold Film Fan member. There will be an Adam West Photo Booth by Annie Ray. There, you can have your photo professionally taken with Adam West himself. Bu leave all your Bat gear and comic books at home, folks... no autographs are allowed.

All in all, Saturday is shaping up to be a bat-tastic time. Silly fun, Adam West, and a uniquely Austin celebration. What more can you ask for? If that doesn't sound like a good time, I simply must ask... why so serious?

Showtimes for the film:

Batman (1966)
Saturday, Aug 27th
1:00

Final Notes about the screening

Adam West Photo Booth by Annie Ray:

For Gold and Platinum Film Fans Only. Have your photograph taken professionally at our Annie Ray photo booth with Adam West himself. No autographs allowed. All Film Fans receive access to preferred seating section and a complimentary specialty drink. DOORS OPEN AT 12 PM.

Parking:
"Hassle-free downtown parking available for $6 at the One American Center for all summer films! Since you’re also supporting the theatre when you buy parking, they're giving you a free small soda each time you park there for a film. Buy online with your film tix and print out your confirmation e-mail or buy directly from the garage attendant (cash only). Attendant will have your soda ticket as well."

Preview: 70mm Week

It's the most wonderful time of the yeeeear...
No, not Christmas. To me, this is even better.

Movie palaces like The Paramount beat the pants off any generic multiplex for seeing movies. Over the past year, I've seen classic films, sneak previews, exhibitions, film festival entries, and even traveling cinema shows there. Trust me, it's always treat to see things in 35mm up on the historic screen. It's a top notch experience.

However...

Sometimes, even the elite have special presentations. And this week, the films shown are presented in 70mm format. It's a larger film format from the past and is a bit of a rarity among films. Possessing a larger size and increased resolution, you could call it a "high-def" format before terms like "HD" became marketing buzz words. So what does it mean? It means that these films, filmed fo a larger format to reflect their epic scale, will look absolutely incredible up on the big screen.

This selection of mind-blowing beautiful presentations include:

I enjoyed Vertigo immensely last year when I saw it last summer in its full glory. Alas, I now feel somewhat spoiled by the screening. When I tried to se it again at home on my bedroom TV earlier this year, I nearly wept at how inadequate the presentation was that time. Now is the time to take advantage of the 70mm format, and see Hitchcock's tale of obsession and mystery as it was meant to be seen.

I realize that many of you my not be familiar with Baraka, but it is a remarkably gorgeous example of filmmaking. Like a Louis Armstrong song, it shows us what a wonderful world this is. It's a free-form documentary with no narrative to speak of, but is a series of moving images about our planet and the things that inhabit it. The film is widely regarded as a must see experience on the big screen, and in 70mm I imagine it can show us that a world that exists beyond anything words could possibly express.

Long shots of red-faced monkeys aside, this is another screening I'm losing sleep over. No worries regarding insomnia, though. I also can't wait to see what dreams may come from watching this beautiful view at our planet.

People have called Stanley Kubrick's 2001: A Space Odyssey many things, but few would use the term "accessible." It's ambiguity is actually one of its greatest assets, in my opinion, but I've heard so my call it difficult or dull. Now, it may be described several ways, but "boring" is a word that should never be applied to this masterpiece about a space mission gone bad (and a computer gone mad). Above all else, the film should be described as "impressive." It's bold in ambition, and the visuals are so breathtaking that it still stands as a convincing example of special effects over 40 years later. This is one I'm dying to see in its original 70mm scope, so that it the images can stand like a monolith before me.

Finally, we have Lawrence of Arabia. David Lean's masterpiece about T.E. Lawrence and his complicated adventures in the desert during wartime. I also saw this last year in 70mm, and it was nearly a religious experience. Everything felt so vibrant and alive, and even the desert itself was like another player in the story. It's another film that I simply can't wait to drink up once again.

I'm giddy at the thought of seeing this quartet over the next week. The films, the scale and the venue will combine to create an experience I won't soon forget. Throughout the week, I'll be perched up in the mezzanine taking in the majestic scope of the 70mm features with mouth agape in amazement. In fact, I'm very likely to look just like Dave Bowman from 2001 when he sees the cosmos: awe-struck and speechless. I'm ready to have my mind blown.

Showtimes for the films:

Vertigo
Monday, Aug 22nd

7:30

Tuesday, Aug 23th
7:30

Baraka
Wednesday, Aug 24th
7:00
Thursday, Aug 25th
9:55

2001: A Space Odyssey
Wednesday, Aug 24th
9:10

Thursday, Aug 25th

7:00

Lawrence of Arabia
Friday, Aug 26th
7:00
Saturday, Aug 27th
7:30

Final Notes about the screening

Double Features:
"When two movies are grouped together under the same thematic heading, one ticket is good for both features when viewed back-to-back on the same day." (cha-ching!)

Parking:
"Hassle-free downtown parking available for $6 at the One American Center for all summer films! Since you’re also supporting the theatre when you buy parking, they're giving you a free small soda each time you park there for a film. Buy online with your film tix and print out your confirmation e-mail or buy directly from the garage attendant (cash only). Attendant will have your soda ticket as well."

Preview: Leaders of the New Wave, Godard & Truffaut

Alas, the run of World Cinema Classics this summer come to an end this weekend, but the screenings conclude with a showcase of cinema royalty. During the 1960s the French New Wave began to reinvent film's attitudes and structures. Directors like Jean-Luc Godard, François Truffaut, Claude Chabrol, Jacques Demy and Éric Rohmer were major filmmakers in this cinematic revolution, and their impact on cinema was no less distinctive than the Beatles were on the world of music. Of these players, Godard and Truffaut are usually considered the leaders of the New Wave, and in effect were the Lennon and McCartney of French film.

François Truffaut made a distinct splash with his early films The 400 Blows and Jules and Jim, each reinforcing a joy of life through film. But after setting the world on fire with those movies, Truffaut took a darker turn away from the joie de vivre with The Soft Skin. In this film, a well-to-do middle aged lecturer has an established life complete with solid career and family. He meets a young woman after one of his speeches and begins an affair. In a combination of shame and unbridled passion, his emotions overtake his better judgment and begins making choices that have dire consequences.

When Jean-Luc Godard made Breathless in 1960, he planted the flag of French New Wave cinema that threw old cinematic conventions right out the door. His filmography is vast and acclaimed. Over the decades his works have aged like a fine French wine, and he is widely accepted as one of the finest directors in the world.

Vivre se Vie ("My Life to Live") was released in 1962, just as Godard was reaching his stride as a filmmaker. It is a film divided into 12 "chapters" that chronicle a young woman's descent from housewife into prostitution. Godard uses techniques of cinéma vérité to document her story, but infuses more striking cinematography to give the movie a distinct look and emotion. Within her story, the director also comments on philosophy, consumerism, and the pop culture of the period. Although not as well-known as his other work, it nevertheless remains a quintessential example of Godard.

These leaders of the New Wave has provided riches that are still appreciated to this day. Just as The Beatles were influenced by the likes of Carl Perkins, Buddy Holly, Little Richard and Elvis Presley, these French directors were strongly inspired both by Americana and the Hollywood. Godard, Truffaut and their French contemporaries were inspired by American film makers such as Nicholas Ray, Orson Welles, John Ford and even Britain's Alfred Hitchcock. Ironically, their appreciation for the culture of the past helped fuel the evolution of cinema's future. And so from their roots, the French New Wave has paved the road to modern movie making. Like a game of tennis, the creativity has bounced from our court to theirs to ours once again. Generations to come will continue to be inspired, and their fresh ideas will no doubt spark many artists to come. Such is life, such is art. C'est le vie.

Showtimes for the films:

The Soft Skin
Saturday, Aug 18th
4:30 8:45
Sunday, Aug 19th
4:00

Vivre sa Vie
Saturday, Aug 18th
6:50
Sunday, Aug 19th
2:00 6:20

Final Notes about the screening:

$2 discount for Austin Film Society members at the box office for all "World Cinema Classics" films!

Double Features:
"When two movies are grouped together under the same thematic heading, one ticket is good for both features when viewed back-to-back on the same day." (cha-ching!)

Parking:
"Hassle-free downtown parking available for $6 at the One American Center for all summer films! Since you’re also supporting the theatre when you buy parking, they're giving you a free small soda each time you park there for a film. Buy online with your film tix and print out your confirmation e-mail or buy directly from the garage attendant (cash only). Attendant will have your soda ticket as well."