Tuesday, May 10, 2011

Preview: Bogart in Love

The Summer Classic Film Series at The Paramount Theatre presents its many movies in small blocks centered around a certain theme. As you browse the schedule, you will find the 80 films are divided into over 35 different themes. Each will be previewed on this blog, complete with original trailers when available...


I don't know about you, but when I think of Humphrey Bogart, my first image is of Sam Spade, the hard-boiled detective from The Maltese Falcon. In fact, that's pretty much my impression of Bogie in general; as a hard man. I admit it's an image reinforced by his most well-known roles, such as the aforementioned Falcon, The Big Sleep, Treasure of the Sierra Madre and High Sierra among others.

However, upon a closer look, one can see the longevity of his career was due to the fact that many roles he played had a great deal of heart as well as grit. Take his most famous role of Rick Blaine from Casablanca. Not only is he "the most dangerous man in the world's most dangerous city," as the trailer states, but he's man motivated by heartache. Not a softee but any means, but a character that is simultaneously glamorous, sauve, smart, and humane.

Often debated as possibly the best movie of all-time (and it's really hard to argue against that contention), The Paramount Summer Classic Film Series kicks off with Casablanca. It's the 1942 Academy Award winner for Best Picture, directed by Michael Curtiz and starring a perfect cast of Bogart, Ingrid Bergman, Paul Henreid, Claude Rains and Sidney Greenstreet.


Here's a bit of trivia for you. When Casablanca was re-released in 11 theaters in 1992 to celebrate its 50th anniversary, one of those selected was The Paramount Theatre in Austin. Why? Because at the time, this was one of the few venues still standing that screened the film upon its original release in 1942.



The other film featured in this theme is Sabrina, the 1954 romantic comedy directed by Billy Wilder and starring Bogart, William Holden and Audrey Hepburn. It's a Cinderella story of sorts about the title character (Hepburn), the daughter of a chauffeur (Hepburn) for a wealthy family. She's had a crush on David (Holden), a fickle playboy and the younger of the two brothers in the family. He never gave her the time of day until Sabrina blossoms after some time overseas. Unfortunately, he's also engaged. So it's up to his workaholic older brother, Linus (Bogart), to try and distract the young lady.

It's a light movie, but it's a classic for the smiles it brings and for its sheer star power. Plus, it's Billy Wilder, folks. I mean, come on!


If you've never see Sabrina, you owe it to yourself to check it out. And if you've only seen the rather stiff 1995 remake, run to see this one to rinse that film's staleness out of your mouth. Although casting Harrison Ford in the Bogart role was an inspired choice, it fell flat. I'd say the only good thing that came out of the Sydney Pollack-directed remake was Greg Kinnear's career. Otherwise, he just would've been that guy from E!'s "Talk Soup" (remember that show?). And although she was a darling of the mid 1990s after Legends of the Fall and First Knight, Julia Ormand couldn't hold a candle to Audrey Hepburn's charm. Then again, no one can.

So be sure and see some vintage Bogie in two of his finest. If you're "too tough" to come and sit through two vintage romantic films, don't be silly. There's nothing to be ashamed about. After all, they have Humphrey Bogart starring in them. He's still a hardened movie star, right? His status hasn't been diminished one bit by appearing in these two classics. Quite the contrary, it helped solidify him as one of the best of all time. Come on, I'll see you there!

(Unless I see you crying during these movies. In that case... I didn't see anything, tough guy)

Showtimes for the films:

Casablanca
Saturday, May 21st
Sunday, May 22nd

Sabrina
Saturday, May 21st
Sunday, May 22nd

Final Notes about the screening
Double Features:
"When two movies are grouped together under the same thematic heading, one ticket is good for both features when viewed back-to-back on the same day." (cha-ching!)

Parking:
"Hassle-free downtown parking available for $6 at the One American Center for all summer films! Since you’re also supporting the theatre when you buy parking, they're giving you a free small soda each time you park there for a film. Buy online with your film tix and print out your confirmation e-mail or buy directly from the garage attendant (cash only). Attendant will have your soda ticket as well."



Monday, May 9, 2011

Coming Soon: The CASABLANCA 2011 Kick-Off Party


Glancing at the thermometer, summer is certainly in full swing. Temperatures reside in the upper 90s, and a hankering for swimming pools and snow cones are already taking root inside me. However, as an Austinite/cinephile, the season kicks off when The Paramount Summer Classic Film series gets under way. About to launch its 36th year, the series begins on May 20th with a recurring opening night screening and a very special guest.

A tradition from years past, the kick-off party includes a screening of perennial favorite Casablanca, the 1942 classic starring Humphrey Bogart and Ingrid Bergman. It's a film that truly needs no introduction, and is a classic in every sense of the word. No matter how many times you've watched the movie, the thrill of being able to see it on the big screen should be an enticement itself to attend this party.


But, if that's not enough for you... there will be a special guest: Director/Actor/Writer/Walking Hollywood Wikipedia Peter Bogdanovich.


Although known primarily as the director of The Last Picture Show, Bogdanovich has appeared throughout the movie industry in numerous capacities. He's popped up as an actor in television and film, most notably as Dr. Elliot Kupferberg on "The Sopranos." However, Peter has also made a huge impact as a Hollywood historian. His career began to take build steam when he was a film programmer and a writer for Esquire magazine, which built upon his obsessive movie-viewing habits from his youth. He wrote about legends such as John Ford and Alfred Hitchcock, and crafted prolific profiles about Jerry Lewis, James Stewart... and Humphrey Bogart.

As he began his film career, he paid tribute to the style of Old Hollywood and the Golden Age from a time gone by. Ironically, as part of the New Hollywood of the 1960s and 70s, where the director was referred to as the auteur, Bogdanovich's films emphasized a more collaborative aesthetic. Directing several of his actors to Oscar nominations (which a few of them won), it can be safely said that his approach is performance-based. Peter has often praised Casablanca as a work of the ‘non-auteurist’ tradition, and his reverence for this film obviously influenced one of his more underrated films, 1979's film Saint Jack.

In addition to sharing his thoughts about the opening night film, Bogdanovich has also chosen a mystery film to serve as the second half of a double-feature that evening. To date, no one knows what the movie will be. How about you? What do you think it will be?

So be sure to join us as- Wait a sec.
Ack, I almost forgot a couple of important details.

First: Admission tickets are already reasonably prized (and can be found here), but if you become a Paramount Film Fan, admission to this event and double-feature is FREE. That's right. On top of that, enjoy discounts and perks (like free popcorn) throughout the 2011 Summer Series based on your level of membership. Curious? Then click here for details.

Second: For Gold and Platinum Film Fan members, there will be a Meet & Greet Reception with Mr. Bogdanovich himself prior to the screenings.

It promises to be a thrilling night for all. The appearance of Peter Bogdanovich is an ever so appropriate one for the Summer Classic Film Series. Why? Because he still holds his sensibilities to a long-ago Golden Era of film. I'm reminded of this gem of a quote by our special guest, one that reveals this particular truth:

"I think one of the reasons younger people don't like older films, films made say before the '60s, is that they've never seen them on a big screen, ever. If you don't see a film on a big screen, you haven't really seen it. You've seen a version of it, but you haven't seen it. That's my feeling, but I'm old-fashioned."

Here here. Maybe my cinematic views are archaic, but you can lump me in full agreement with that statement. Seeing these treasures on the big screen stirs a level of excitement you just can't get from any HDTV screen.

Doors to the party open at 6:00 p.m. on Friday, May 20th. The films begin at 7:00 p.m. Don't you dare miss it, because if you do... "you'll regret it. Maybe not today. Maybe not tomorrow, but soon and for the rest of your life."



Wednesday, May 4, 2011

BEHOLD! The 2011 Summer Film Series List!


Want an instant excuse for doing backflips? Look no further for inspiration, my friends. The COMPLETE 2011 Classic Summer Film Series List has been released!

I'll be doing additional write-ups/previews as each theme approaches, so be sure to bookmark or check back often. It's gonna be one rockin' summer.

So take a gander and plan accordingly, fellow film buffs!

Classic Kickoff

Special Guest Peter Bogdanovich hosts Casablanca and another mystery film of his choosing.
5/20 at 7 p.m.

Bogart in Love

Casablanca
5/21 at 2 p.m. and 6:20 p.m.
5/22 at 4:30 p.m.
Sabrina
5/21 at 8:25 p.m.
5/22 at 2 p.m. and 6:40 p.m.

Texas Film Commission 40th Anniversary

Silkwood
5/24 at 7:30 p.m.
There Will Be Blood
5/25 at 7:30 p.m.
Sugarland Express
5/26 at 7 p.m.
5/27 at 9:25 p.m.
Best Little Whorehouse in Texas
5/26 at 9:20 p.m.
5/27 at 7:00 p.m.
Spy Kids
5/28 at 3 p.m.
5/29 at 2 p.m.
True Grit (2010)
5/28 at 7:00 p.m.
5/29 at 6:40 p.m.
Dazed and Confused
5/28 at 9:30 p.m.
5/29 at 4:30 p.m.

Late Orson Welles

F for Fake
6/1 at 9 p.m.
Touch of Evil
6/1 at 7 p.m.

John Hughes' Love Triangles

Sixteen Candles
6/5 at 2 p.m. and 6 p.m.
Some Kind of Wonderful
6/5 at 4 p.m. and 7:55 p.m.

Brando on Film

Last Tango in Paris
6/8 at 9:40 p.m.
Burn!
6/8 at 7 p.m.

Chaplin Like You've Never Seen Him (Restored Prints!)

City Lights
6/9 at 7 p.m.
The Gold Rush
6/9 at 9 p.m.
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Modern Times
6/11 at 4 p.m. and 7:50 p.m.
6/12 at 2 p.m. and 6:15 p.m.
Chaplin Shorts
6/11 at 6 p.m.
6/12 at 4 p.m.

Eccentric Westerns

Destry Rides Again
6/14 at 7 p.m.
6/15 at 9:15 p.m.
Johnny Guitar
6/14 at 9 p.m.
6/q5 at 7 p.m.

Lovers on the Run

Bonnie and Clyde
6/16 at 7 p.m.
6/17 at 9 p.m.
They Live By Night
6/16 at 9:15 p.m.
6/17 at 7 p.m.

Ford, Fonda and America

The Grapes of Wrath
6/18 at 4 p.m. and 8:40 p.m.
6/19 at 4:05 p.m.
Young Mr. Lincoln
6/18 at 6:35 p.m.
6/19 at 2 p.m. and 6:40 p.m.

A Star for Modern Times: Julie Christie

McCabe & Mrs. Miller
6/21 at 7 p.m.
6/22 at 9:15 p.m.
Fahrenheit 451
6/21 at 9:25 p.m.
6/22 at 7 p.m.

Comedies of Sidney Poitier

Uptown Saturday Night
6/23 at 7 p.m.
6/24 at 9:15 p.m.
Stir Crazy
6/23 at 9:10 p.m.
6/24 at 7 p.m.
Icon: Audrey Hepburn

Breakfast at Tiffany's
6/25 at 2 p.m. and 6:40 p.m.
6/26 at 2 p.m. and 6:40 p.m.
Charade

6/25 at 4:20 p.m. and 9 p.m.
6/26 at 4:20 p.m. and 9 p.m.

The Intensity of Charm: Paul Newman

The Hustler
6/30 at 7 p.m.
Harper
6/30 at 9:40 p.m.

Hucksters & Princes: Burt Lancaster

The Leopard
7/2 at 2 p.m. and 8:30 p.m.
7/3 at 2 p.m.
Elmer Gantry
7/2 at 5:35 p.m.
7/3 at 5:35 p.m.

Sci Fi: Monsters From Beyond

Godzilla (1954)
7/5 at 7 p.m.
7/6 at 9 p.m.
THEM!
7/5 at 9:05 p.m.
7/6 at 7 p.m.

Sci-Fi: 25th Anniversaries

Star Trek IV: The Voyage Home
7/8 at 9:45 p.m.
Aliens
7/8 at 7 p.m.

Sci Fi: Dystopian Futures

Brazil
7/10 at 2 p.m. and 7 p.m.
Quintet
7/10 at 4:35 p.m.

The Subversive Comedy of Albert Brooks

Modern Romance
7/12 at 7 p.m.
7/13 at 9:35 p.m.
Broadcast News
7/12 at 9 p.m.
7/13 at 7 p.m.

Thrillers and Blondes: Hitchcock & Grace Kelly

Rear Window
7/14 at 7 p.m.
7/15 at 9:15 p.m.
To Catch A Thief
7/14 at 9:20 p.m.
7/15 at 7 p.m.

A Very Swayze Weekend

Road House
7/16 at 4:30 p.m. and 9:10 p.m.
7/17 at 4:20 p.m.
Red Dawn
7/16 at 6:50 p.m.
7/17 at 2 p.m. and 6:40 p.m.

Katherine Hepburn

The African Queen
7/19 at 7 p.m.
7/20 at 9 p.m.
7/21 at 7 p.m.
Holiday
7/19 at 9:10 p.m.
7/20 at 7 p.m.
7/21 at 9:10 p.m.

Lights! Camera! Music!

West Side Story
7/24 at 4 p.m.
7/26 at 7 p.m.
Swing Time
7/24 at 2 p.m.
7/26 at 9:50 p.m.

Iron and Wine Presents

Paper Moon
7/27 at 7:30 p.m.
The Last Picture Show
7/28 at 7:30 p.m.

Sing-A-Long Fun!

The Sound of Music
7/30 at 2 p.m. (non-singalong) and at 7 p.m.

Horror: Don't Go Into That House!

The Shining
8/2 at 7 p.m.
8/3 at 9:10 p.m.
The Haunting (1963)
8/2 at 9:40 p.m.
8/3 at 7 p.m.

Horror: Scary Cats

Cat People
8/4 at 7 p.m.
8/5 at 9:05 p.m.
Kuroneko
8/4 at 8:40 p.m.
8/5 at 7 p.m.
Horror: Birth of the Slasher

Psycho
8/6 at 4 p.m. and 8:45 p.m.
8/7 at 4:10 p.m.
Peeping Tom
8/6 at 6:15 p.m.
8/7 at 2 p.m. and 6:25 p.m.

Foreign: Theft and Thieves

Bob Le Flambuer
8/9 st 7 p.m.
8/10 at 8:40 p.m.
Pickpocket
8/9 at 9 p.m.
8/10 at 7 p.m.

Foreign: Comedy of The Past and Present

Playtime
8/11 at 7 p.m.
8/14 at 2 p.m. and 7 p.m.
Armacord
8/11 at 9:30 p.m.
8/14 at 4:30 p.m.

Foreign: Silent Classic, Live Score!

El Tren Fantasma
8/13 at 8:00 p.m.

Foreign: Passion and Love

Mama Roma
8/16 at 7 p.m.
8/17 at 8:55 p.m.
Loves of A Blonde
8/16 at 9:10 p.m.
8/17 at 7 p.m.


Foreign: A Forgotten Master, Masahiro Shinoda

Pale Flower
8/18 at 7 p.m.
8/19 at 9:10 p.m.
Double Suicide
8/18 at 9 p.m.
8/19 at 7 p.m.

Foreign: Leaders of the New Wave, Godard & Truffaut

The Soft Skin
8/20 at 4:30 p.m. and 8:45 p.m.
8/21 at 4 p.m.
Vivre Sa Vie
8/20 at 6:50 p.m.
8/21 at 2 p.m. and 6:20 p.m.

70mm Week

Vertigo
8/22 at 7:30 p.m.
8/23 at 7:30 p.m.
2001: A Space Odyssey
8/24 at 9:10 p.m.
8/25 at 7 p.m.
Baraka
8/25
8/26 at 9:55 p.m.
Lawrence of Arabia
8/26 at 7 p.m.
8/27 at 2 p.m. and 7:30 p.m.

Lemmon and Wilder

Some Like It Hot
8/29 at 9:30 p.m.
8/30 at 7 p.m.
The Apartment
8/29 at 7 p.m.
8/30 at 9:45 p.m.
The Texas Epic

Giant
9/1 at 7:30 p.m.
9/2 at 7:30 p.m.
9/3 at 2 p.m.

The Grand Finale

Gone with the Wind
9/3 at 6:30 p.m.
9/4 at 2 p.m. and 7 p.m.



Whew! That's a lot of movies. 80 to be exact. Yep. Eight. Zero. Last year, I made it to 72 of the screenings, and I'm totally gunning to take that record down. Who's with me? More often than not, I'll be sitting in the mezzanine, just left of center. I usually toting my handy-dandy black messenger bag, so I'm fairly easy to find. If you see me, say hi. I promise I won't bite anything but the popcorn.

See ya there!



Friday, April 29, 2011

P.S.- A Paramount/Stateside Affair. April 28, 2011


It was a Thursday night. Why not go to a party? There was one planned at The Paramount and its sister, the State Theatre. Called "P.S." (the initials of the theaters), it was a celebration involving a very special theme dear to my heart. One that has allowed folks like me to write blogs and share our voices to anyone who wants to digest what I have to say.

In short, the theme of the evening was networks.


No, not this kind of network. No one is mad as hell here...


Wait, not this network, either. But I'm pretty sure many are mad as hell about that specific one...

No, we're talking about social networks.


Okay, that's closer, but not so litigious.

It was a bash for bloggers, tweeters, and other social networkers. And it was all free with a mere RSVP. Partners in crime included: Gowalla, Austin Eavesdropper, Glitoris, Hey Cupcake!, Kohana Coffee, and Alison Narro Photography. The goal, as stated on the Paramount website, declared: "P.S. is about celebrating secrets, rebirths, interactivity, cupcakes and Austin’s affinity for free drinks."

Yes, indeed.
I got there at 6:30 and proceeded to the State Theatre. Now known as The Stateside Theatre at The Paramount, it was the starting point for all festivities. I was sure to check-in on Gowalla, and stood in line for my "personalized Paramount card," made for those who submitted the RSVP with their networking information. As I waited in line, friendly faces were passing out a free gift, a travel coffee mug with The Paramount Theatre logo. Oh, but what's this? As I open it up I find a lovely little surprise, a free sample of Kohana, a coffee brand from here in Austin. Très nice.


Yet the pleasant surprises did not end there; not by a long shot. Alison Narro photography was also on hand at Stateside snapping portraits of patrons. I got to the front of the check-in queue and was elated to see that I was not presented with a mere card. Instead, I received a badge, professionally created and complete with a crimson lanyard. Name and internet information printed on the front, exclusive deals printed on the back.

After socializing and partaking of free drinks, I moseyed on over to The Paramount next door. Outside was a Hey Cupcake! trailer, open for business. Something about the sight of that trailer just made me smile. Austin's a hell of a place to call home, and if the city strives to "keep austin weird," count me in.

Entering the Paramount lobby, I was sure to check in on Gowalla once again. More crowds meant more socializing. There was a nice leisurely atmosphere, with many sitting inside the auditorium visiting with one another. Others (who had not been into the theatre before) were clearly in awe of the breathtaking majesty of the place. I ventured upstairs and climbed all the way to the top. There I awaited a tour of the projectionist's booth. For a movie buff like me, that's where the magic happens. I've been dying to see it since last summer's film series, and today was finally the day.

I won't lie, I was fascinated to be in a projectionist booth that was nearly a century old. I was curious, yet deathly afraid to touch anything. Projectionist John Stewart (no, not of "The Daily Show") was a friendly and informative host, answering any and all questions the group had for him. As I took photographs, I felt a distinct sense of history that my DVD and BluRay collection will never possess.

After my tour, everyone gathered in the Paramount lobby to hear special announcements and witnes the awarding of door prizes. Tolly Moseley of Austin Eavesdropper expressed gratitude to the Paramount staff for involving her in the event. Paramount Web Marketing Associate Nick Barbieri took the mic and also warmly received the crowd. But then, something unexpected happened. Nick was talking about how The Paramount recognized the importance of social media and said that this party was partially inspired by an individual as well as the blogosphere at large. I was snapping away with my camera when he announced that person was me. It was a slow process to comprehend as I realized what was being said. My goodness, was I just recognized for the blogs? Were all eyes really trained on me? Humbly I made my way to Nick and the Paramount gang. I was given a gift bag of appreciation, and I waved at the masses in the lobby. It was a surreal but warm feeling, and I felt so honored and touched. I hate to blow my own horn (I really really try to avoid doing so), but this merit was just too significant and touching to not mention. Thanks, guys.

Ah, but the show went on.

Jesse Trussell, Paramount Film Programmer, took the mic and announced plans for the 2011 Classic Summer Film Series. He teased about several titles, and revealed that the kick-off party would have a very special guest: writer/director Peter Bogdonavich (The Last Picture Show, Paper Moon). Brooklyn Henson, Associate Director of Marketing, mentioned highlights of the upcoming 2011/12 season, whetting my appetite for future Paramount experiences. And General Manager Assistant Nicholas Saenz ignited the crowd with grand plans for the revitalized Stateside Theatre.

Needless to say, after all of that information, there was plenty to buzz about. The party continued on, and everyone was fluttering about like the social (networking) butterflies we were. Music was provided by Glitoris, which kept up a vibrancy to augment the accessible sugary sweets and alcohol. It was an amazing night I didn't want to end. After all the fun experiences, the accolades, and the new friends I made... it really was an affair to remember.